{"id":81,"date":"2010-03-10T09:00:35","date_gmt":"2010-03-10T08:00:35","guid":{"rendered":"http:\/\/facetterad.net\/blog\/?p=81"},"modified":"2010-03-08T18:22:14","modified_gmt":"2010-03-08T17:22:14","slug":"recension-fischerspooner-%c2%bb1%c2%ab","status":"publish","type":"post","link":"https:\/\/facetterad.net\/blog\/recension-fischerspooner-%c2%bb1%c2%ab\/","title":{"rendered":"Recension: Fischerspooner \u00bb#1\u00ab (International Deejay Gigolo)"},"content":{"rendered":"
\n

FISCHERSPOONER<\/b>
\n#1
\nInternational Deejay Gigolo
\n7<\/p>\n

F\u00f6rsta l\u00e5ten p\u00e5 \u00bb#1\u00ab: \u00bbInvisible\u00ab! Kaos i New York. Breakdansare vrider s\u00f6nder lederna i sina f\u00f6rs\u00f6k att h\u00e4nga med, tunnelbanan sp\u00e5rar ur n\u00e5gonstans vid 5th Avenue, grafittikonstn\u00e4rerna i Brooklyn \u00f6verger sina throw-ups och skapar konst mitt i mellan Basquiat och omslaget till Kraftwerks \u00bbThe Man Machine\u00ab. Det \u00e4r electro, Johan. Men inte av den sort du k\u00e4nner till.
\nAndra l\u00e5ten p\u00e5 \u00bb#1\u00ab: \u00bbThe 15th\u00ab! En kall isbit p\u00e5 din \u00e4lskades mage en het sommardag. Vad du ville fr\u00e5ga p\u00e5 sexualundervisningen men inte v\u00e5gade. Allts\u00e5 den gatusmarta coola kusinen till Stars \u00bbWhen\u00ab. Mer pop \u00e4n n\u00f6den kr\u00e4ver.
\n   Tredje l\u00e5ten p\u00e5 \u00bb#1\u00ab: \u00bbEmerge\u00ab! Hitten! Det kan jag fastsl\u00e5, f\u00f6r den finns p\u00e5 singel med en massa tr\u00e5kiga remixar! Men originalet \u00e4r olidligt bra! Det l\u00e5ter som om tidiga Human League f\u00e5tt solsting och \u00e5kt p\u00e5 valsafari! Ungef\u00e4r!
\n   Eller: New York-borna Warren Fischer och Casey Spooner har tillsammans med sitt kollektiv (h\u00e4lsa bland annat p\u00e5 Lizzy Yoder, s\u00e5ng, Jordana Toback, koreografi och Mindi McAlister, smink) f\u00e5tt mig att \u00e5terigen springa runt p\u00e5 Stockholms gator och antasta vilt fr\u00e4mmande m\u00e4nniskor. \u00bbHar du h\u00f6rt de tre f\u00f6rsta l\u00e5tarna p\u00e5 Fischerspooners debutalbum? Jag spelar dem just nu p\u00e5 min bandare! Jas\u00e5, s\u00e5 h\u00f6gt? Nej, jag har inget knark till salu.\u00ab
\n   – Men de andra sex l\u00e5tarna p\u00e5 skivan d\u00e5 undrar Per, 17, n\u00e4r jag springer in i honom p\u00e5 Solvalla.
\n   Bra fr\u00e5ga, Per! Tyv\u00e4rr \u00e4r de inte lika roliga. De \u00e4r mer… sansade.
\n   – Som i gravida delfiner, chill-out-t\u00e4ltet i Roskilde, \u00bbjag kan h\u00f6ra hur f\u00e4rger smakar\u00ab?
\n   Nej, mer som om skivan utg\u00e5r fr\u00e5n downtown New York f\u00f6r att sedan flyga iv\u00e4g i en gl\u00e4nsande Cessna i riktning mot Maine.
\n   Eller: De \u00e4r bakgrundsmusik f\u00f6r sofistikerade bjudningar d\u00e4r damerna j\u00e4mf\u00f6r de DMX Krew-tolvor de nyss k\u00f6pt p\u00e5 Illegal och herrarna doftar av Chanel No5.
\n   Och sj\u00e4lv \u00e4r jag mest intresserad av ljudterrorism den h\u00e4r veckan. S\u00e5 det f\u00e5r bli \u00bbInvisible\u00ab, \u00bbThe 15th\u00ab och \u00bbEmerge\u00ab p\u00e5 repeat.
\n   Om och om och om igen.
\n   Varning p\u00e5 stan, h\u00e4r kommer jag.
\nJOHAN JACOBSSON<\/p>\n

Original till recension publicerad i Sonic #4 (2001)<\/i><\/small><\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

FISCHERSPOONER #1 International Deejay Gigolo 7 F\u00f6rsta l\u00e5ten p\u00e5 \u00bb#1\u00ab: \u00bbInvisible\u00ab! Kaos i New York. Breakdansare vrider s\u00f6nder lederna i sina f\u00f6rs\u00f6k att h\u00e4nga med, tunnelbanan sp\u00e5rar ur n\u00e5gonstans vid 5th Avenue, grafittikonstn\u00e4rerna i Brooklyn \u00f6verger sina throw-ups och skapar konst mitt i mellan Basquiat och omslaget till Kraftwerks \u00bbThe Man Machine\u00ab. Det \u00e4r electro, […]<\/p>\n<\/a>","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[10],"tags":[30,8],"class_list":{"0":"post-81","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-recension","7":"tag-fischerspooner","8":"tag-sonic","9":"h-entry","10":"hentry"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p7nn96-1j","jetpack-related-posts":[],"_links":{"self":[{"href":"https:\/\/facetterad.net\/blog\/wp-json\/wp\/v2\/posts\/81","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/facetterad.net\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/facetterad.net\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/facetterad.net\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/facetterad.net\/blog\/wp-json\/wp\/v2\/comments?post=81"}],"version-history":[{"count":4,"href":"https:\/\/facetterad.net\/blog\/wp-json\/wp\/v2\/posts\/81\/revisions"}],"predecessor-version":[{"id":85,"href":"https:\/\/facetterad.net\/blog\/wp-json\/wp\/v2\/posts\/81\/revisions\/85"}],"wp:attachment":[{"href":"https:\/\/facetterad.net\/blog\/wp-json\/wp\/v2\/media?parent=81"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/facetterad.net\/blog\/wp-json\/wp\/v2\/categories?post=81"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/facetterad.net\/blog\/wp-json\/wp\/v2\/tags?post=81"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}